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Jenny K Lyon

Quilting makes me skip for joy

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Antique and Modern Amish Quilts at San Jose Museum of Quilts and Textiles

January 15, 2015

My interests seem to be bouncing back and forth between traditional, modern and art quilts lately. After my quilt was published in 500 Traditional Quilts, my love of exquisite traditional quilts was reignited. In an alternative universe, I’ve been smitten by some of the modern quilts I’ve been seeing. And then there are the art quilts that I’ve been loving, making and studying for the last 5 years or so.

Of course they all have much in common. When I saw that the San Jose Museum of Quilts and Textiles was having an exhibit of Ohio Amish quilts, as well as an exhibit of “Amish made Modern” by three Bay Area Modern Quilt Guilds, I knew I had to see that! I met a friend there and after we viewed the modern quilts we got to chatting-I took very few photos of the Ohio Amish quilts.

The Amish made Modern exhibit combined the talents of the East Bay Modern, Bay Area Modern and South Bay Area Modern guilds. Joe Cunningham juried the show of about 20 quilts that best represented a modern take on early 20th century Amish quilt making traditions. It totally suited my current “quilt mood”.

Pinwheel-Broken Dishes Variation, Unknown Maker, Holmes County, 1910
Pinwheel-Broken Dishes Variation, Unknown Maker, Holmes County, 1910

It’s amazing what you can do with half-square triangles! Those white HST intrigue me. They seem to be thoughtfully placed, but only on the top half of the quilt. I chuckle thinking if this went in for judging at a major show, the comments might include something along the lines of “value contrast too high in some areas-the white triangles are distracting.”

Roman Stripe (parallel variation), Unknown Maker, Holmes County, 1900-1910
Roman Stripe (parallel variation), Unknown Maker, Holmes County, 1900-1910

I don’t think they worried too much about how their quilts hung! I love the way the colors shimmer and how the maker scattered a few odd colors throughout. And there are some lost edges throughout too-love that!

Sampler, Unknown Maker, Holmes County, 1890-1900
Sampler, Unknown Maker, Holmes County, 1890-1900

This shows such fine piecing and applique-I marvel at the piecing skills of the maker.

House Top Quilt, Tara Faughnan
House Top Quilt, Tara Faughnan

Moving into Modern territory now-I love the way Tara has used color. Her write up states that she was simply playing with color. When you are in front of it, different squares will grab your attention over time.

Amish-ish, Ruth Beeby
Amish-ish, Ruth Beeby

Apparently Ruth was having trouble sleeping one night. She caught a vision of an Amish Roman stripe which came together with a modern half square triangle and this quilt was born. It kind of reminds me of Michael James’ quilts.

Center Diamond, Close Up, Michelle Boyd
Center Diamond, Close Up, Michelle Boyd

This quilt was inspired by the photo of an Amish quilt on a book cover. The quilting was beautiful and was inspired by Talavera tile designs.

We Are, Ann Sullivan
We Are, Ann Sullivan

Ann describes her piece as celebrating the similarities and differences of the Amish and modern cultures. I like the strong impact of the piece.

Capitola Crossing, Karen Foster
Capitola Crossing, Karen Foster

Karen wrote that the bright palette of her quilt honors the nurseries of her childhood and the annual festival of floats. She was inspired by the 1930 Railroad Crossing quilt. The one pieced block represents her home town and the railroad that passes through it.

What I Had, Kim Andersson
What I Had, Kim Andersson

What I Had references the Amish practice of using what was on hand. Kim used fabrics from her stash to make this quilt-what a concept!

Tribute, Pat Fried
Tribute, Pat Fried

Pat was particularly influenced by a Roman Stripe quilt in a previous Amish quilt exhibit that she saw in San Francisco. She purposefully made her color choices traditional and understated, yet striking and bold.

1500, Vanessa de Febrega
1500, Vanessa de Febrega

Vanessa’s quilt was inspired by the fragrance, beauty and ancient wisdom of the redwood forests. She does not tell us what 1500 means, perhaps the age of the redwoods?

Detail, 1500, Vanessa de Febrega
Detail, 1500, Vanessa de Febrega

Gotta love this quilting detail!

The exhibit is showing through March 15, 2015 so there’s still time to see it. It’s well worth your time if you’re in the area. It’s intriguing to see both the modern and traditional quilts in the same visit-you begin to see their similarities and differences in a new light.

Filed Under: Quilts and Art Quilts, Shows

Comments

  1. Helen says

    January 15, 2015 at 9:31 am

    You didn’t mention the sneaky white triangles in Pat Fried’s quilt. That was the first thing that caught my eye. Love how they make a ‘regular’ quilt irregular!

  2. Jenny says

    January 15, 2015 at 9:49 am

    Of course you caught it-Judge’s Eye! There is a lot of innovation in this group of artists.

  3. Franki Kohler says

    January 15, 2015 at 10:41 am

    Whoa! Thanks for the preview on this must-see exhibit! Some impressive work there.

  4. Jenny says

    January 15, 2015 at 1:00 pm

    You will enjoy it Franki!

  5. Linda McLaughlin says

    January 16, 2015 at 8:53 am

    Thanks for sharing these. I’m most intrigued by “What I Had”.

  6. Jenny says

    January 16, 2015 at 10:42 am

    Yes! What would happen if I made a quilt from my stash??

  7. Rebecca Grace says

    January 17, 2015 at 7:22 pm

    Ooh, and I have Amish on the brain, too! My Amish Baby 54-40 Or Fight would probably be finished already if I wasn’t a dork who can’t sew sashing straight to save her soul. Right now it’s stewing on the design wall while I decide whether I need to take the outer sashing and posts off and redo them unripply, or whether this is the best I can do with my current skills and I should move on to the borders. It sucks not being perfect, doesn’t it?! Thanks for sharing eye candy from the exhibit for those of us who can’t see it in person!

  8. Jenny says

    January 17, 2015 at 8:39 pm

    I thought of you when I saw this! Your 54-40 is gorgeous and I LOVE that it’s a baby quilt! All those technical problems will work themselves out. I made one of those in red and white and I loved it! Glad you enjoyed the exhibit.

  9. Pam says

    January 20, 2015 at 4:53 am

    I am new to your space and am so glad I’m here! As a previous commentor said, I too have Amish quilts on the brain. Perhaps because it is because I’m working with solids right now. Thank you so much for this post – I need to read it again (and again)!

  10. Jenny says

    January 20, 2015 at 1:16 pm

    Thank you Pam and welcome! I did not consider myself an Amish fan but I loved what the Modern’s did with them as well as the actual Amish. So many lines are blurred between Modern and Amish. Your current piece is lovely and peaceful.

  11. debby says

    January 22, 2015 at 5:50 pm

    Yep, got these amish quilts and solid colors on the brain too! Just came back from a walk, thinking about pulling a group of solids for a new quilt. You’ve convinced me!

  12. Jenny says

    January 22, 2015 at 7:14 pm

    I think they are addicting Debby-timeless and fascinating. I can’t wait to see what you do!

  13. Diane says

    January 30, 2015 at 3:10 pm

    Thank you Jenny for sharing this wonderful exhibit with us.

    I think the name of Vanessa de Febrega’s quilt, 1500, refers to the number of triangles in her work of art ~ yikes! What talent and patience!

  14. Jenny says

    January 30, 2015 at 4:38 pm

    Thanks Diane. It’s a toss up in my mind between age of redwoods (oldest are 2,000 yrs) and 1500 pieces-both could be her thought. Maybe it is both! Yes, talk about patience!

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