Finished – Much in Common!
I finished, just in the nick of time! I submitted yesterday afternoon, with a wee bit of trauma, but it. is. done!
I named her “Much in Common”: “The linen tablecloth and I are about the same age. We both have some worn parts and stains, and not everything is symmetrical. It was a pleasure to quilt her and retain her imperfect charm.” She is 55″ x 57″. And she is heavy – quilt + linen tablecloth + buttons + lots of thread = heavy
A couple of detail shots:
She was a little fussy to quilt. Her print was a little “abstract” in places and I had to create flowers where there were splotches. The quilting did resolve these areas but it was challenging! There were a LOT of buried threads in this piece. I used 12 wt Aurifil on top for all but the stippling, so starts and stops had to be buried, not finished with tiny stitches.
Tension was challenging also, with that big fat thread on top. I had to use a beefy top thread as anything skinny would settle into the valleys between the coarse linen threads and disappear. I had to experiment to find the right bobbin thread to match the pull of a heavy thread. You don’t want a fat thread in the bobbin generally.
I settled on 60 wt Quilters Select Perfect Cotton Plus for the bobbin. It performed beautifully and I don’t think any other thread would have behaved that well. It has a poly core with a bonded cotton wrap, way better than the old stuff with a poly core/cotton wrap. That makes for a super strong thread and uber smooth cuticle. It took on that big fat top thread yet kept its own tension on the bobbin side. Loved it!
A little bit about my decisions and how this all came together:
I decided early on that she needed Prairie Points. I have only used them very sparingly in the past, so PP were fairly new to me. It was fun to play with the colors and get them all pressed up:
There was a lot of pressing involved in creating hundreds of PP. I made waaaaay too many! I started with a dry iron but steam helped a bunch. I would press each one, then immediately plop a ruler over it to set the creases. I removed it when the PP was cool; this created a crisp PP. No, I do not keep my ironing board cover pristine…
It was immensely satisfying to have all those PP pressed, crisp and waiting to be used. See how all of these are pressed to a fold in the middle? Yeah, decided I didn’t like that and redid them all.
My first pass. The bluey-purple and the salmon just did not work. They were shouting so I removed them.
Okay, now this looks a little sleepy by comparison, but I knew I was going to add buttons, so that was okay.
I can’t live without the Clover Curved Awl. I use it in a zillion ways and this is a good example. I wanted the PP to be well aligned, flat, and properly placed. The curved awl did the trick, better than a straight awl and more comfortable for the wrist.
I see my quilt beginning to awaken! Love those PP, definitely a good choice!
I used Susan Cleveland’s Piping Hot Binding Tool to give precision to the piping. Oh what a difference it makes! It has a groove that fits right over the piping so that the ruler is flat against the quilt, the straight edge at exactly the right spot for accurate and easy trimming. That was scary, to do that cut. And oops, notice that there are two edges for trimming the seam on her tool, 1/4″ and 1/2″? I made the first cut and used the wrong edge. That would have made the binding 1/4″ for this 55″ x 57″ quilt, NOT what I wanted. Yikes, now what? I wanted that to be 1/2″.
After posting to FaceBook and receiving some wise replies, I chose this fix:
On a scrap piece, I sloppy woppy free motion quilted a swath, then cut a 1/4″ piece off. This was to be my insert into the seam to stuff the binding out to 1/2″.
I added it to the oopsy 1/4″ seam, attaching the two with a strip of fusible. This is my practice piece.
\This is how it looked on the quilt. I desperately need a manicure.
That made it a rigged 1/2″ binding, just like the other 3 sides. It worked well and you cannot tell that I added the strip, can’t even tell by feel.
Now, how to add the binding and perfectly align it atop the piping and PP? Before stitching each seam, I nestled the Hera Marker into the groove of the piping and marked the line, then stitched atop that line. It worked perfectly and left a precise and thin line to stitch upon. The Hera works well on dark fabrics that just won’t show most marking well.
Funny thing, of all the zillion feet I have for my BERNINA, the 35, Invisible Zipper Foot, worked the best for the size of piping I made. Who knew? The left groove rode perfectly over the piping. That foot is kick butt for doing an invisible zipper by the way, it makes it foolproof.
Next up – Rick Rack:
This was tricky. The little stitched faux French Knots had a lot of dimension and it was going to be hard to stitch the RR on, so I decided to glue it. Past experience has taught me that Aleen’s Jewel-It will hold stuff on fabric through a nuclear holocaust. I used little dots at each bump. The join was going to be tricky also – it had to be invisible. I experimented offline with several methods and decided to carefully burn the ends to keep from fraying, then carefully tuck one end under. That was nerve-wracking, to hold a flame to my RR, right above my quilt!
The tester RR strips are to the left, to help me figure where to cut the RR. It was my cheat sheet of sorts.
Well lookie dat! Purfect, virtually invisible. Huahhhh!
And finally, buttons:
I just love those stinkin’ buttons! They are mismatched and some a little worn. I sewed them on by machine, used the BERNINA 8 foot, the Jeans Foot. I needed something that would sit atop the buttons and hold them in place and this was the best fit. I have a proper button foot, #18, but it is made to give the button some slack so that you can button a garment. I did not want that slack, I wanted the button to hold the PP in place, hence the #8 foot. I lowered my feed dogs and zig-zagged them on. Carefully. Of course I broke um, a few needles!
It just so happened that I was sewing on buttons the first day of the Virtual Quilt Market, perfect viewing for this repetitive task.
I was nearing the end, still working against the deadline when I began having a lot of trouble. I pulled everything out, cleaned up, reassembled, sewed a bit, trouble again. This kept happening. Finally this tiny bead appeared, probably worked its way out of some nook. Whew, problem solved! I did not want to have to haul out one of my other machines with a smaller harp.
And lastly, squaring up. I bit the bullet and purchased 2 more 72″ steel carpenter’s rulers, and it was worth every penny (they are only about $14). I used my 22.5″ Omnigrid square to set my first corner at a perfect 90 degree and built it out from there. This quilt was pretty square to start with, a rarity for me since I quilt the dickens out of a quilt. I carefully measured each side to assure a square quilt.
One other thing that was a huge help was my friend Nancy. I don’t have a photo, wish I did. She is in serious lockdown mode and was a great help via email. It’s so good to have quilty friends with a good eye and solid counsel! My most requested Lecture is “Quilting is a Contact Sport” and by that I mean contact with each other, quilters helping quilters and others. This was a perfect example of quilting as a contact sport. We need each other! I think every major quilt I have has a story of a friend who was a great help to me.
I’ll link up with Nina-Marie’s Off the Wall Friday!
Cathy McIntee says
This is a stunning example of your artistry and skill! Wonderful!
qskipad3 says
Thank you Cathy, it was a joy to make!
Loretta Armstrong says
Wow!!! That’s all the kudos it needs! The talents and work you put into this very special quilt is astounding! Each little and big decision was made after researching and checking in with other quilting friends and qualified folks. Bravo! This quilt is stunning and the prairie points are absolutely perfect! Thanks so much for sharing your story while designing and developing this fun and intense project.
qskipad3 says
So glad you enjoyed the journey Loretta! Thank you for reading along.
Helen Hardwdick says
Great post, Jenny. I really appreciate the way that you explained all of the details, problems and solutions. This is a great piece. I remember when we first saw the tablecloth at SIS. I don’t think I was the only one who thought you were taking on a big project. Love seeing the steps and decisions that you went through. Thanks for sharing.
qskipad3 says
I can’t wait to show it to you Helen! I hope we get together soon, would love to catch up.
Sharon Rexroad says
I luv, Luv, LUV this quilt!
qskipad3 says
Awww, thank you Sharon! It has been quite the journey.
Marianne Rittenhouse says
Love the imperfect story…oh what perseverance you have besides skill!
Congrats Jenny!
qskipad3 says
Thank you Marianne, I think all quilters require perseverance! I fell in love with the tablecloth’s imperfections.
Lin McAuliffe says
Jenny, it has been absolutely delightful to follow your thinking as you created this masterpiece! You brought such a generous tool box to this project and even developed a few extras along the way. Your reflections and ‘trial’ techniques were very inspiring to me as I continue to add to my own, rather limited tool kit. Today’s best to you!
qskipad3 says
Thank you for going on my adventure with me Lin! I had no idea how many turns and detours there would be.
Shirley Pettaway-Green says
You are such an inspiration.
qskipad3 says
That is high praise Shirley, thank you!
Rebecca Grace says
Wow, Jenny — I liked this project from the beginning when you first started posting about it, but I’m still blown away by the masterpiece you ended up with. This is gorgeous! Which show did you enter? Re: Foot #18, I believe there is an adjustment you can make to that foot to either increase or eliminate the button shank. From the Bernina web site: “In addition, Button-sew-on foot #18 has an adjustable middle toe, allowing you to vary the height of the thread shank according to fabric thickness. The middle toe can be flipped up and away when not in use. In addition to buttons and closures, Button-sew-on foot #18 allows you to attach decorative embellishments such as sequins or bows.” The rubber toes on #18 are awesome for holding the button or whatever in place so it doesn’t budge while stitching. :-)
qskipad3 says
Thank you Rebecca Grace! I entered Houston, hope it juries in. My #18 is one-piece and does not have a flippy thing to bring the toe up:-( No rubber either.
Mrs. Plum says
Jenny, this is GORGEOUS! Your details enhance the center tablecloth without being distracting. The even prairie points enhance the curves of the tablecloth, and the buttons are just perfect. Well done! Thanks, too, for showing us your fix on the mis-trimmed edge. The genius of a great quilter is fixing what goes wrong, rather than always getting everything right.
qskipad3 says
That is high praise Mrs. Plum, thank you! I did not want to detract from the center so glad you feel the same. The fix on the mis-trimmed edge, I give credit to my FB friends for their ideas.
Sandie French says
Absolutely stunning!
qskipad3 says
Thank you Sandie!
Ila Darling says
Jenny, I’ll say it one more time: You are amazing! The work, thought, trial and error you put into your work make my head spin. Oh, yes the quilt is stunning. FQFG quilt show 2021?
qskipad3 says
Thank you Ila! It absolutely will be in the FQFG Show unless it’s traveling. Let’s hope there IS a 2021 show and that we will all be comfortable attending!
Martha E Ressler says
Oh Jenny, you are such a perfectionist, and such a darling person. I love this story! and the piece is great.
qskipad3 says
THank you Martha! It truly was a journey with all kinds of twists and turns. I used more techniques and presser feet than I knew I had the skill set for. It was a definite challenge but a fun one.
Joanna says
Your attention to detail is phenomenal. Yet the end product doesn’t look forced at all. It retains its insouciance. This must be the most gussied up tablecloth ever. I know it’s a tablecloth only because you told us it was. Otherwise, I wouldn’t have guessed its origins.
qskipad3 says
What a lovely review Joanna, I treaure those words! There was a soul to that tablecloth and it came out as I quilted it. It was so satisfying!
Angela Grasse says
Fabulous!
qskipad3 says
Thank you Angela!
Shannon M Conley says
What a fantastic piece, I love the combination of the abstract florals and old linen with your beautiful precise piecing, quilting, and finishing. Just fantastic. Can you cut along the steel carpenter rulers with your rotary cutter or do you mark the cutting line with them and then go back with a regular quilting ruler to do the cutting? I struggle (in common with lots of us probably) with the best way to square up a quilt…
qskipad3 says
Shannon I’m all fangirl on you, love your work! Thank you for the comment. Yes, I do use my rotary on the carpenter rulers. You’ll quickly figure this out – they have (at least mine do) a rounded edge so I have to be mindful to keep my rotary perp to the surface. It was so worth it to have the 3 rulers. Now I am thinking, why 3 and why not 4? 4 just seemed so excessive, but I think I will get yet another.
Nanette Zeller says
This was fascinating to read. You really pay attention to all the details. Now I see why you’re work is so beautiful!
qskipad3 says
Thank you Nanette! It was a fun romp and this quilt was about the details for sure. I hope it juries in.
Frédérique says
A lot of beautiful details, I love your quilt, what a lovely finish!
Feel free to join the TGIFF link party today, and Patchwork & quilts link party on Sunday!
qskipad3 says
THank you for the invite, I will post!
Laceflower says
I enjoyed following along on your journey of making this unusual quilt. Thanks for your generosity of sharing. It’s quite spectacular.
qskipad3 says
Thank you! It was a fun journey.
Peggy Martin says
All I can say is WOW!! This is certainly a spectacular quilt with so much detail and embellishment. Hoping that you get juried in (and hoping that Houston will even HAPPEN this year…) I’ve been spending most of my time sewing masks for family and friends… really want to quilt now, especially after seeing your beautiful work.
qskipad3 says
Thank you Peggy! Yes, I really hope it juries in and that we will be able to attend the Houston show IN PERSON! Go quilt now!
Kathy Horan says
Absolutely beautiful! I have enjoyed your journey and the weekly stories. You are a true artist.
qskipad3 says
High praise Kathy! Thank you.
K Yee says
Thank you for posting the details you did about this piece. I have so enjoyed reading about the process and seeing the finished results!! I also hope that it juries into the show. You mentioned placing the ruler on the prairie points til they cooled to set the seams. If you or anyone else reading this happens to have a wooden tailoring tool in their stash (clapper, point presser, tailor board), perhaps from many years ago, it can be used for the same purpose. In my experience the weight from the wood, plus the way it absorbs the heat and moisture gives superior results.
qskipad3 says
Thank you K! I have a clapper and the ruler was on my board at the time, it’s that silly. You’re right, the clapper on wool is a great combo and will create a crisp fold. Thank you for reading and commenting.
Cheryl McCallum says
Awesomely amazing quilt!!! I have enjoyed hearing your journey and seeing the final project. You are a unique and gifted quilter. Good luck in Houston.
qskipad3 says
So glad you enjoyed it Cheryl, I kinda stumbled my way through. Thank you for reading and commenting.
Karen Scribner says
What a great idea to preserve a treasure from the past with new ideas. Thank you for sharing your creating and constructing processes. I love this quilt!
qskipad3 says
Glad you enjoyed it Karen! Thank you for reading and posting.